is a website owned and operated by StartEngine Crowdfunding, Inc. For more information about this offering, please view Monogram Orthopedics offering circular as well as the risks associated with this offering. This investment is speculative, illiquid, and involves a high degree of risk, including the possible loss of your entire investment. S2CID 193387235.This Reg A+ offering is made available through StartEngine Primary, LLC. Konsthistorisk Tidskrift/Journal of Art History. ^ Calvin Tomkins, Off the Wall (Garden City, N.Y. : Doubleday, 1980), p.^ a b Calvin Tomkins, Off the Wall (Garden City, N.Y. : Doubleday, 1980), p.^ Monogram at the Robert Rauschenberg Foundation Official Website."Rauschenberg's Mystery Goat Stars in Paris Show of 'Combines' ". ^ von Uthmann, Jorg (November 8, 2006).^ "Robert Rauschenberg: A delight in the ordinary"."Robert Rauschenberg, American Artist, Dies at 82". Nevertheless, with its horns and long, shimmering coat it also recalls the Feticci Personali Rauschenberg made in Italy." References Some observers have associated it with an animal awaiting sacrifice. Still, there is also a strangely poignant beauty to its acquiescent, eternally patient goat.
Īrt critic Catherine Craft said of the work: “Not surprisingly, Monogram shocked contemporary viewers. Kenneth Bendiner has interpreted the work as ‘a specific re-working’ of the Pre-Raphaelite painter William Holman Hunt’s The Scapegoat. Fifty years after its creation, it remains one of the great, complex emblems of modernity, as unforgettable (in its way) as the flank of Cézanne's mountain, the cubist kitchen table or the wailing woman in Guernica.” Yet it is innocent, too, and sweet, and (with its cascading ringlets) weirdly dandified: a hippy goat, a few years before the 1960s. Analysis Ĭritic Robert Hughes wrote on the work’s homoerotic themes and subtext he claims, “One looks at it remembering that the goat is an archetypal symbol of lust, so Monogram is the most powerful image of anal intercourse ever to emerge from the rank psychological depths of modern art. In the third and final incarnation of Monogram (1959), following the suggestion of Jasper Johns, Rauschenberg placed a square panel on casters on the floor and centered the goat, as if in a pasture. Robert Rauschenberg by the second form of Monogram. According to Calvin Tomkins, this version was eventually altered because Rauschenberg was dissatisfied that the goat could only be viewed from one side. In the first iteration (1955–1956), the goat was poised on a shelf that was connected to a wall-mounted painting that later became Rhyme (1956). Monogram’s Multiple Forms įrom 1955 to 1959, Monogram took on three different incarnations. The title came from the union of the goat and tire, which reminded the artist of the interweaving letters in a monogram. Over the next four years (1955–1959), Monogram evolved through three different stages, which are documented in several studies and photographs. He bought it for $15 which was all of the money that he had on him at the time. The artist first saw the stuffed Angora goat in the window of a secondhand furniture store at Seventh Avenue in New York. Monogram typifies the idea of the Combine as a free-standing sculptural artwork that also incorporates a painted canvas. He coined the term “ Combine” to describe this new artistic category.
Image smith monogram series#
Rauschenberg created a series of artworks between 19 that merge aspects of both traditional painting and sculpture.
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